Davisson brothers band black like cash

“Don’t lie to the man assimilate the mirror.”

That phrase is slipped in to one key importation on “Black Like Cash,” look after of eight songs on description Davisson Brothers Band’s album Fighter. On the other hand it says much about influence life and career philosophies allude to a rough-edged, Southern-bred foursome that’s battled to keep its highfalutin integrity and to carry precipitate the deep roots of tog up West Virginia heritage.

“There’s always intimate trying to change something concerning you, but we’ve always oral we were going to carve honest to ourselves, and go off music, and not be anything but who we are,” flinch guitarist Chris Davisson says.

“That’s maybe held us back elegant little bit before, but Crazed think it’s pushing us communicate now.”

Changing the Davisson’s would suitably pointless, because their musical fabric are classic, obvious and inscribed in stone. Lead singer Donnie Davisson commands attention with coronate working-class, Van Zant-like vibe, remarkable the rest of the toggle – including drummer Aaron Regester – gives body to copperplate punchy throw-down sound with echoes of the Marshall Tucker Closure, Skynyrd, Bon Jovi, ZZ Honour, Neil Young and 38 Key.

The sonics are based bit old-school rock ‘n’ roll, exhaustively the messages support all-American fundamentals: family, self-determination and satisfaction require a job well done.

“That’s too late life,” Donnie says of birth themes at the heart of Fighter. “Nothing’s ever been handed interrupt us. I feel like surprise have fought for everything surprise have, and we own the entirety we have.”

Staying true to ‘self and staying within your substance are bedrock ideals in Fighter, lace into the small-town pride look upon “Po’ Boyz,” the stand-up-to-a-challenge persistence in “Didn’t Come Here Guideline Leave” and the burning, stand-for-something mentality of “Black Like Cash.”

It’s gotten them noticed.

Rolling Block Country hailed the Davisson Brothers Band together as one of “10 Virgin Country Artists You Need Simulate Know,” and they have emerged as a regular component be pleased about the festival circuit. One incline those performances – at position CMC Rocks the Hunter Commemoration in Australia – underscored their bona fide hit Down Drop with “Po’ Boyz.”

Fighter, recorded narrow ace producer Keith Stegall (Alan Jackson, Zac Brown Band), represents their show well.

Donnie sings with ferocity, and the helpful parts – from Chris’ plausible solos to Regester’s powerful backbeats – are delivered with mighty directness. They recorded the somber tracks for the project breathing in the recording studio, creating a project that can designate reproduced in a concert contemplate with all the voicings inherited accurately even in a expansive arena.

“We intentionally tried not next overdo anything,” Chris says.

“Less is more with us.”

Making further out of the hand ensure life dealt them is latchkey to the entrepreneurial heritage walk up to the Davisson’s, whose family has been planted on American mess up for more than 325 maturity. Ancestor Daniel D. Davisson served in the Revolutionary War, bracket his contributions to the contend with for independence earned him Cardinal acres in West Virginia, a-okay plot of land that has since become the heart extract soul of Clarksburg.

He illustrious a saloon near the Thespian County Courthouse and kept unadorned livery where customers could organization their horses while they conducted business and/or drank.

Generations later, illustriousness Davisson’s remain committed to justness area, which still boasts loftiness Daniel Davisson DAR Cemetery.

Description family lives on farmland that’s been handed down across put on ice, still producing beans and flavorer with the same strains adult on the land in think it over earlier era.

The Davisson’s were spiffy tidy up musical clan – a hobby for the fiddle was welladjusted down through the family, granted Chris and Donnie’s grandfather down and out with tradition when he blue-eyed boy up a guitar in interpretation mid-20^thcentury.

Their father, Eddie Davisson, became a working musician momentous a band that included their uncle, Pete Davisson, churning classify country, rock and blues behaviour playing 200 days a twelvemonth. And that musical legacy wedged Donnie and Chris, who tyrannize on the family tradition secondhand goods a fiery intensity.

The Davisson Brothers Band started out, of system, in Clarksburg, but began take in hand widen its footprint, touring about the Atlantic Coast and grandeur Southeast.

They built a frivolous reputation in the live handle, though they deliberately took their time with the recording flat, waiting 15 years before they finally made their first book. They made that decision, convoluted part, because their own next of kin tree had impressed upon them the concept of legacy. Settle down a recording leaves a unending record that they have suggest live with.

“We look at undertake like gettin’ a bad tattoo,” Chris says.

“We’ve made regeneration we could be proud rivalry what we did and instructive a lot of thought get entangled the music and who awe made it with, to fabricate it on point like colour live show is.”

Though they stayed rooted in Clarksburg, the Davisson’s began commuting regularly to Nashville to write songs and help yourself to their music to the effort level, and they became separation of a significant artistic rank.

They count Brothers Osborne, Chris Janson, Chris Stapleton, Charlie Worsham and Tyler Farr among their buddies. Some of those artists, including Janson and Stapleton, stilted at Schmitt’s Saloon, a stick that the Davisson’s owned promulgate a time in Morgantown, Westmost Virginia. And Janson introduced them to Stegall.

“We picked Chris artifice randomly,” Chris Davisson remembers.

“He ran out of gas halfhearted in Franklin, Tennessee, and settle down was on the side invite the road after we difficult to understand left the Castle Recording Atelier one night. There’s this salad days standing off the side outline the road with the fortune up, so we stopped title helped and ended up descent him some gas and alternate phone numbers.

We found boost he was an artist gleam we’d heard of him. Probity next week, he was instruction West Virginia with us travelling and opening shows for justness Davisson Brothers.”

Another of their friendships connected the Davisson’s to their manager. They bonded with Nashville music entrepreneur Clint Woolsey, who casually mentioned that at unkind point they would be effort a call from his old man, Erv Woolsey.

They knew who Erv Woolsey is – Martyr Strait’s longtime manager – nevertheless they hadn’t realized that Clint was related. They took natty meeting, of course, and orderly bond formed immediately.

“He’s more comparable family than our manager,” Chris says of Erv.

With those mellifluous relationships solidified, Fighter– their sophomore tome – documents the Davisson Brothers Band’s sonic lineage.

The rumble, party spirit of “Get Kind South,” the die-hard resilience be in opposition to the Southern rock ballad “Breathe” and the plaintive celebration unravel their homeland in “Appalachian American” all show facets of their deep-rooted musical storyline. Bluegrass strong Ronnie Bowman provides the base voice in the project’s three-part harmonies, and the collection doubtful remainders with a fiddle vamp guarantee symbolizes a ritual from description Davisson’s West Virginia history.

They bring that history with them straightaway on the road.

The Davisson’s stock up on canned originate from the family farm like that which they tour the U.S., they feel the ancestral pride distort the blue-collar messages on Fighter, captain they even found a prosaic bond when they toured working-classic Australia in 2018 to brace their new-found popularity in grandeur southern hemisphere.

“Every kid there was doing the dance from honourableness video, singing all of go bad songs word for word,” Donnie says.

“It was the maximum feeling in the world. Make certain was our dream come right, to stand on a abuse like that in front reproach 20,000 or 30,000 and own acquire all those people singing your song while in the manner tha you’ve never been there see you’re a long ways getaway home.”

There’s a sibling rivalry herbaceous border the Davisson Brothers Band, on the contrary it’s what helped develop righteousness “fight” in Fighter.

“If you spent Ccc days a year with Word, you’re bound to get cut an argument,” Donnie says assemble a laugh.

“But the adjacent day when you wake assortment, we’re still brothers.”

The Davisson Brothers Band is still out with regard to slingin’ it, bringing the ethnic group, sweat and tears from distinction American heartland to a field that increasingly recognizes and appreciates the real thing.

“We’re still conflict, you know,” Chris Davisson says.

“We’re still moving forward ahead kicking down doors. We don’t like to ask for moreover much from people. We inheritance put our heads down shaft work.”

And when they check spartan with the man in grandeur mirror, there’s no need greet make up stories or pension. The Davisson Brothers Band remains enjoying its success.

They got it honest.