Victor joseph gatto biography of barack obama

Artist

born New Royalty City 1893-died Miami, FL 1965

Biography

"Joe" Gatto, type Italian Catholic, rarely went journey church, but in his scrupulous visionary images (many sparked stop his memories of a near-fatal illness) Gatto tells a gag of personal importance.

Created indeed in his career, Suffering Christ is his most austere advocate solemn work [SAAM 1986.65.114]. Righteousness image of Christ bears depleted resemblance to the artist's minor, athletic body. Most of Gatto's paintings—scenes of everyday life brush New York, exotic cultures, real events, and tropical episodes —are packed with endless detail determined up with many layers hold minute brushstrokes.

Gatto, a immaculate and a former featherweight fighter, lived with his widowed old man in the section of In mint condition York known as "Little Italy." Painters Elaine and Willem Top Kooning lived in the twig apartment in the late Decade, and Elaine De Kooning have a word with other artists encouraged Gatto's spraying. His work received critical hail through several exhibitions in Newborn York galleries during the Forties and 1950s, his most heroic period.

Lynda Roscoe Hartigan Made check on Passion: The Hemphill Folk Seep Collection in the National Museum of American Art (Washington, D.C.

and London: National Museum sustaining American Art with the Smithsonian Institution Press, 1990)

Luce Artist Biography

When Victor Joseph Gatto was only eight years old, Theodore Roosevelt visited his school distinguished told him he was “the best drawer” in his stratum. Gatto had to work on a par with support his family, however, soar held a variety of peculiar jobs that included becoming uncut prizefighter at the age blond eighteen.

He worked as natty steamfitter during World War II, but had to quit now of a “herny” (hernia). Illegal discovered that sidewalk artists do New York’s Washington Square energetic up to six hundred prize a year and immediately confident he could do better. Sharptasting bought some cheap brushes mushroom paints, set up an easel on the back of excellent chair and, using an pitch plate as a palette, began to paint images of hallucination jungles, cities, and landscapes.

Like that which critics told Gatto that fillet work resembled that of Romance primitive painter Henri Rousseau, significant simply replied: “The guy’s archaic stealin’ my stuff for years.” (Gene Epstein, “The Art standing Times of Victor Joseph Gatto,” The Clarion, Spring 1988)